Looking Back on WiMIR@ISMIR2020

As the ISMIR community organizes and prepares submissions for the ISMIR 2021 conference (to take place virtually November 8-12), let’s take a moment to reflect on the WiMIR events from last year’s conference! ISMIR 2020 was held October 11-15, 2020 as the first virtual ISMIR conference, with unprecedented challenges and opportunities. Slack and Zoom were used as the main platforms, which enabled the conference to designate channels for each presentation, poster and social space. With the support of WiMIR sponsors, substantial grants were given for underrepresented researchers, including women.

The ISMIR 2020 WiMIR events were organized by Dr. Claire Arthur (Georgia Institute of Technology) and Dr. Katherine Kinnaird (Smith College). A variety of WiMIR events took place during the conference, through which the ISMIR community showed support, shared ideas, and learned through thought-provoking sessions.

WiMIR Keynote

Dr. Johanna Devaney from the Brooklyn College and the Graduate Center, CUNY, gave an insightful keynote on our current comprehension and analysis of musical performance, The keynote, titled Performance Matters: Beyond the current conception of musical performance in MIR, was presented on October 13th.

WiMIR keynote video    

WiMIR keynote slides

Abstract: This talk will reflect on what we can observe about musical performance in the audio signal and where MIR techniques have succeeded and failed in enhancing our understanding of musical performance. Since its foundation, ISMIR has showcased a range of approaches for studying musical performance. Some of these have been explicit approaches for studying expressive performance while others implicitly analyze performance with other aspects of the musical audio. Building on my own work developing tools for analyzing musical performance, I will consider not only the assumptions that underlie the questions we ask about performance but what we learn and what we miss in our current approaches to summarizing performance-related information from audio signals. I will also reflect on a number of related questions, including what do we gain by summarizing over large corpora versus close reading of a select number of recordings. What do we lose? What can we learn from generative techniques, such as those applied in style transfer? And finally, how can we integrate these disparate approaches in order to better understand the role of performance in our conception of musical style?

Johanna Devaney is an Assistant Professor at Brooklyn College and the CUNY Graduate Center. At Brooklyn College she teaches primarily in the Music Technology and Sonic Arts areas and at the Graduate Center she is appointed to the Music and the Data Analysis and Visualization programs. Previously, she was an Assistant Professor of Music Theory and Cognition at Ohio State University and a postdoctoral scholar at the Center for New Music and Audio Technologies (CNMAT) at the University of California at Berkeley. Johanna completed her PhD in music technology at the Schulich School of Music of McGill University. She also holds an MPhil degree in music theory from Columbia University and an MA in composition from York University in Toronto.

Johanna’s research focuses on interdisciplinary approaches to the study of musical performance. Primarily, she examines the ways in which recorded performances can be used to study performance practice and develops computational tools to facilitate this. Her work draws on the disciplines of music, computer science, and psychology, and has been funded by the Social Sciences and Humanities Research Council of Canada (SSHRC), the Google Faculty Research Awards program and the National Endowment for the Humanities (NEH) Digital Humanities program.  

Twitter: Johanna Devaney (@jcdevaney)

“Notable Women in MIR” Meetups

This year’s WiMIR programming also included a series of meet-up sessions, each of which was an informal Q&A-type drop-in event akin to an “office hour”. In these sessions, participants had the opportunity to talk with the following notable women in the field.

Dr. Amélie Anglade is a freelance Music Information Retrieval and Machine Learning / Artificial Intelligence Consultant based in Berlin, Germany. She carried out a PhD on knowledge representation of musical harmony and modelling of genre, composer and musical style using machine learning techniques and logic programming at Queen Mary University of London (2014). After being employed as the first MIR Engineer at SoundCloud (2011-2013) and working for a couple of other music tech startups, she is now offering (since 2014) freelance MIR and ML/AI services to startups, larger companies and institutions in Berlin and remotely. Her projects range from building search and recommendation engines to supporting product development with Data Science solutions, including designing, implementing, training and optimising MIR features and products. To her clients she provides advice, experimentation, prototyping, production code implementation, management and teaching services. During her career she has worked for Sony CSL, Philips Research, Mercedes-Benz, the EU Commission, Senzari, and Data Science Retreat, among others.

Dr. Rachel Bittner is a Senior Research Scientist at Spotify in Paris. She received her Ph.D. in Music Technology in 2018 from the Music and Audio Research Lab at New York University under Dr. Juan P. Bello, with a research focus on deep learning and machine learning  applied  to fundamental frequency estimation. She has a Master’s degree in mathematics from New York University’s Courant Institute, as well as two Bachelor’s degrees in Music Performance and in Mathematics from the University of California, Irvine.

In 2014-15, she was a research fellow at Telecom ParisTech in France after being awarded the Chateaubriand Research Fellowship. From 2011-13, she was a member of the Human Factors division of NASA Ames Research Center, working with Dr. Durand Begault. Her research interests are at the intersection of audio signal processing and machine learning, applied to musical audio. She is an active contributor to the open-source community, including being the primary developer of the pysox and mirdata Python libraries.

Dr. Estefanía Cano is a senior scientist at AudioSourceRe in Ireland, where she researches topics related to music source separation. Her research interests also include music information retrieval (MIR), computational musicology, and music education. She is the CSO and co-founder of Songquito, a company that builds MIR technologies for music education. She previously worked at the Agency for Science, Technology and Research A*STAR in Singapore, and at the Fraunhofer Institute for Digital Media Technology IDMT in Germany.

Dr. Elaine Chew is a senior CNRS (Centre National de la Recherche Scientifique) researcher in the STMS (Sciences et Technologies de la Musique et du Son) Lab at IRCAM (Institut de Recherche et Coordination Acoustique/Musique) in Paris, and a Visiting Professor of Engineering in the Faculty of Natural & Mathematical Sciences at King’s College London. She is principal investigator of the European Research Council Advanced Grant project COSMOS and Proof of Concept project HEART.FM. Her work has been recognised by PECASE (Presidential Early Career Award in Science and Engineering) and NSF CAREER (Faculty Early Career Development Program) awards, and Fellowships at Harvard’s Radcliffe Institute for Advanced Study. She is an alum (Fellow) of the NAS Kavli and NAE Frontiers of Science/Engineering Symposia. Her research focuses on the mathematical and computational modelling of musical structures in music and electrocardiographic sequences. Applications include modelling of music performance, AI music generation, music-heart-brain interactions, and computational arrhythmia research. As a pianist, she integrates her research into concert-conversations that showcase scientific visualisations and lab-grown compositions.

Dr. Rebecca Fiebrink is a Reader at the Creative Computing Institute at University of the Arts London, where she designs new ways for humans to interact with computers in creative practice. Fiebrink is the developer of the Wekinator, open-source software for real-time interactive machine learning whose current version has been downloaded over 40,000 times. She is the creator of the world’s first MOOC about machine learning for creative practice, titled “Machine Learning for Artists and Musicians,” which launched in 2016 on the Kadenze platform. Much of her work is driven by a belief in the importance of inclusion, participation, and accessibility: she works frequently with human-centred and participatory design processes, and she is currently working on projects related to creating new accessible technologies with people with disabilities, designing inclusive machine learning curricula and tools, and applying participatory design methodologies in the digital humanities. Dr. Fiebrink was previously an Assistant Professor at Princeton University and a lecturer at Goldsmiths University of London. She has worked with companies including Microsoft Research, Sun Microsystems Research Labs, Imagine Research, and Smule. She holds a PhD in Computer Science from Princeton University.

Dr. Emilia Gómez is Lead Scientist of the HUMAINT team that studies the impact of Artificial Intelligence on human behaviour at the Joint Research Centre, European Commission. She is also a Guest Professor at the Department of Information and Communication Technologies, Universitat Pompeu Fabra in Barcelona, where she leads the MIR (Music Information Research) lab of the Music Technology Group and coordinates the TROMPA (Towards Richer Online Music Public-domain Archives) EU project.

Telecommunication Engineer (Universidad de Sevilla, Spain), Msc in Acoustics, Signal Processing and Computing applied to Music (ATIAM-IRCAM, Paris) and PhD in Computer Science at Universitat Pompeu Fabra, her work deals with the design of data-driven algorithms for music content description (e.g. melody, tonality, genre, emotion) by combining methodologies from signal processing, machine learning, music theory and cognition. She has been contributing to the ISMIR community as author, reviewer, PC member, board and WiMIR member and she was the first woman president of ISMIR. 

Dr. Blair Kaneshiro is a Research and Development Associate with the Educational Neuroscience Initiative in the Graduate School of Education at Stanford University, as well as an Adjunct Professor at Stanford’s Center for Computer Research in Music and Acoustics (CCRMA). She earned a BA in Music; MA in Music, Science, and Technology; MS in Electrical Engineering; and PhD in Computer-Based Music Theory and Acoustics, all from Stanford. Her MIR research focuses on human aspects of musical engagement, approached primarily through neuroscience and user research. Dr. Kaneshiro is a member of the ISMIR Board and has organized multiple community initiatives with WiMIR, including as co-founder of the WiMIR Mentoring Program and WiMIR Workshop. 

Dr. Gissel Velarde, PhD in computer science and engineering, is an award-winning researcher, consultant and lecturer specialized in Artificial Intelligence. Her new book: Artificial Era: Predictions for ultrahumans, robots and other intelligent entities, presents a groundbreaking view of technology trends and their impact on our society. 

Additionally, she published several scientific articles in international journals and conferences, and her research has been featured in the media by Jyllands-Posten, La Razón, LadoBe and Eju. She earned her doctoral degree from Aalborg University in Denmark in 2017, an institution recognized as the best university in Europe and fourth in the world in engineering according to the US News World Ranking and the MIT 2018 ranking. She obtained her master’s degree in electronic systems and engineering management from the University of Applied Sciences of South Westphalia, Soest in Germany, thanks to a DAAD scholarship, and she holds a licenciatura’s degree in systems engineering from the Universidad Católica Boliviana, recognized as the third best university in Bolivia according to the Webometrics Ranking 2020. 

Velarde has more than 20 years of experience in engineering and computer science. She was a research member in the European Commission’s project: Learning to Create, was a lecturer at Aalborg University, and currently teaches at the Universidad Privada Boliviana. She worked for Miebach Gmbh, Hansa Ltda, SONY Computer Science Laboratories, Moodagent, and Pricewaterhouse Coopers, among others. She has developed machine learning and deep learning algorithms for classification, structural analysis, pattern discovery, and recommendation systems. In 2019 & 2020 she was internationally selected as one of 120 technologists by the Top Women Tech summit in Brussels.

Dr. Anja Volk (MA, MSc, PhD), Associate Professor in Information and Computing Sciences (Utrecht University) has a dual background in mathematics and musicology which she applies to cross-disciplinary approaches to music. She has an international reputation in the areas of music information retrieval (MIR), computational musicology, and mathematical music theory. Her work has helped bridge the gap between scientific and humanistic approaches while working in interdisciplinary research teams in Germany, the USA and the Netherlands.  Her research aims at enhancing our understanding of music as a fundamental human trait while applying these insights for developing music technologies that offer new ways of interacting with music. Anja has given numerous invited talks worldwide and held editorships in leading journals, including the Journal of New Music Research and Musicae Scientiae. She has co-founded several international initiatives, most notably the International Society for Mathematics and Computation in Music (SMCM), the flagship journal of the International Society for Music Information Retrieval (TISMIR), and the Women in MIR (WIMIR) mentoring program. Anja’s commitment to diversity and inclusion was recognized with the Westerdijk Award in 2018 from Utrecht University, and the Diversity and Inclusion Award from Utrecht University in 2020. She is also committed to connecting different research communities and providing interdisciplinary education for the next generation through the organization of international workshops, such as the Lorentz Center in Leiden workshops on music similarity (2015), computational ethnomusicology (2017) and music, computing, and health (2019).

WiMIR Grants

Thanks to the generous contributions of WiMIR sponsors, a number of women received financial support to cover conference registration, paper publication, and – for the first time in 2020 – childcare expenses. In all, WiMIR covered registration costs for 42 attendees; covered publication fees for 3 papers; and provided financial support to cover child-care expenses for 4 attendees.

Thank you WiMIR Sponsors!

Patron

Contributor

Supporter

Thank You ISMIR 2017 WiMIR Sponsors!

The recent ISMIR 2017 conference in Suzhou, China continued a recent trend of sponsor contributions specifically for Women in Music Information Retrieval (WiMIR) initiatives during the conference. This year, sponsors funded a guest speaker during the WiMIR plenary session, a WiMIR/Diversity reception in the social program, and substantial travel support for female researchers. These initiatives not only enabled more women to attend the conference, but also provided opportunities for the MIR community to come together as a whole to show support for women in the field, and to learn more about the challenges and benefits of fostering a diverse community.

WiMIR Session @ ISMIR 2017

As part of this year’s WiMIR plenary session, Shawn Carney (Head of Global IT at Spotify) spoke about the importance of diversity in an “increasingly interdependent, interconnected world.” Ms. Carney’s talk, Bye Bye Bias: Promoting Diverse Teams, provided insights into the value of diversity and actionable steps we can all take to work toward it (slides available here). Thank you, Shawn Carney and Spotify, for the talk!

img_0015-e1511373926598.jpg

WiMIR/Diversity Reception

For the second year, Amazon Music hosted a WiMIR/Diversity reception during the conference. This year’s reception was open to all conference participants and included full dinner along with a Human Bingo activity to encourage attendees to talk to and learn more about the people around them. Thank you Amazon Music for bringing the community together!

 

WiMIR Travel Awards

Thanks to contributions from Spotify, Smule, Amazon Music, Gracenote, iZotope, Microsoft, and Steinberg, we were able to offer conference travel support to 22 female attendees of ISMIR 2017 – that’s 40% of the women who attended the conference! Importantly, women of any career stage could apply for travel support, and author eligibility included both accepted full papers (first or supporting author) or a presentation during the late-breaking/demo session on the last day of the conference. In the end, ISMIR 2017 WiMIR travel award recipients ranged from high school students to early faculty, over half of whom were attending the ISMIR conference for the first time.

Some feedback from WiMIR travel award recipients:

I am so glad to be in this community where people care and encourage women in MIR. I am so grateful that you are so supportive. Your support and encouragement, both mentally and financially, mean a lot to many female students like me. I’ll pass on this spirit to help many more people in the future. Thank you.
– Kitty Shi, Stanford University

I am so grateful to have had the opportunity of attending ISMIR for the first time thanks to the WiMIR travel award. Throughout my undergraduate experience, I sought ways to connect my electrical engineering education to my passion for music but had a hard time finding a community that sought to do the same. ISMIR has given me the chance to turn my curiosities into real research. The conference gave me the opportunity to immerse myself in a community of people who are clearly passionate about both music and the technologies that help advance our understanding of it. I am currently applying for PhD programs, and this travel award has helped me confirm that MIR research is the direction in which I want to head.
– Camille Noufi, University of Colorado

Many thanks to our sponsors! Being a junior faculty member, I have been in academia for about 15 years, and this is the only conference, and one of the very few occasions, where I feel female researchers are truly privileged. I especially feel grateful that some female students were able to attend this internationally well-known conference only because of the support of WiMIR travel award. To them, this was their first international conference, first poster, and/or first research presentation. To many of us, ISMIR is the most friendly and inspiring conference, which is certainly related to the diversity of attendees, in terms of disciplines, research topics, place of origins, levels of study/experience, gender, etc. It is essential to keep this merit of ISMIR in the future, so that we can continue attracting and retaining precious talent in MIR. The generous support of sponsorship is highly appreciated, and I believe it will be repaid with a greater future of the field, the community, and the world.  
– Xiao Hu, University of Hong Kong

I truly appreciate that ISMIR can provide this opportunity for me to join this conference. I got tremendous and important insights into my projects through this conference. I also got some very important connections through this energetic community. Thank you!
– Sonia

ISMIR 2017 was the first ISMIR Conference I attended and it was a great opportunity to be able to meet the MIR community empowering underrepresented groups in the field. The WiMIR travel award was one of the major support for me attending the conference. I am grateful to have the support of this encouraging community. I would like to thank the ISMIR 2017 WiMIR travel award sponsors again for their generous and continuous support.
– Doga Cavdir, Stanford University

The WiMIR grant allowed me to attend ISMIR with minimal stress. As an early career researcher, I often have to pay out large sums of money for conferences months in advance and hope to be reimbursed at some point. Having the WiMIR grant not only pay for registration and lodging, but also find my lodging was more helpful and supportive than I can articulate.
– WiMIR travel award recipient

I’m very grateful for your support to make my trip to ISMIR 2017 possible. It is an incredible opportunity for my research career to present my work in the world’s most influential MIR community and receive valuable feedback from researchers all over the world. Also, invigorating talks from the foremost researchers of the field of MIR did inspire me a lot. Thanks again for funding me on this invaluable experience.
– Simin Yang, Queen Mary University of London

Thank you so much for your support for my ISMIR 2017 travel. I have learnt a lot from people in the conference and made progress on my research. This was a great opportunity for me and will be one of the most precious gifts in my life.
– WiMIR travel award recipient

Thank you to the ISMIR 2017 WiMIR travel award sponsors so much for having me, an undergraduate student, joining in the top international conference in MIR. I really enjoyed my time there and was excited to learn about so many inspiring projects and ideas. I look forward to next year’s conference in Paris!
– Shuqi Dai, Peking University

It was because of the generous WiMIR travel award that I was able to attend ISMIR for the first time and present my poster. At this conference, I was able to meet with great professors, researchers, and industry affiliates, as well as have interesting conversations that have encouraged me further in my research endeavors. Hence, I’d like to thank the sponsors for giving me the opportunity.
– So Yeon Park, Stanford University

I am in the last year of my PhD and attending ISMIR was a huge opportunity for networking. Thanks to the WiMIR sponsors and especially Smule for making this happen!
– WiMIR travel award recipient

It was my first ISMIR, and I’m happy to become a member of the society. Thanks to the scholarship I was able to attend the conference and present my ongoing work. It was inspiring by itself, and even more, I received some positive comments and helpful feedback about my research. I’m sincerely grateful to the WiMIR organisers for their efforts to create the program, and, of course, to the sponsors for making it possible.
– Olga Slizovskaia, Universitat Pompeu Fabra

Thank you for so generously providing WiMIR travel awards. As a high school student, I submitted a late-breaking paper to ISMIR with no expectations, so receiving the WiMIR grant was beyond exciting and gave me so much encouragement to keep pursuing my research. ISMIR 2017 in Suzhou, China was incredible. I spoke with researchers from universities around the world and companies like Spotify, Pandora, and Smule; my conversations with people equally passionate about math, computer science, and music allowed me to learn about their projects and gain valuable feedback to expand on my own research. I got a taste of the synergy of working with people from many backgrounds and am discovering how to apply tools from one discipline to another to cross-fertilize ideas. Coming from an all-girls school especially, I am super appreciative of the work WiMIR does to increase opportunities for women in STEM like me.
– Hanna Yip, The Spence School

Thank you for the travel grant, without which it would have not been possible for me to attend ISMIR. Apart from the finances itself, what really stood out was the kinship and the immediate connection that I felt towards other WiMIR grantees. It was great to meet WiMIR researchers from across the globe and get to know them and their research. I also loved the session on Women in MIR. As someone who has worked in the industry for nearly 20 years, I am quite aware of the abysmal number of women in the field and their daily struggles. Many of the suggestions that were brought out resonated with me. Thank you once again for making it happen.
– Vidya Rangasayee, San Jose State University

Looking Forward

We believe that facilitating conference travel, as well as providing an inclusive and welcoming experience at the conference, are critical steps toward building a diverse and vibrant MIR community. We will continue to work with sponsors and other members of the community to welcome women and other individuals from underrepresented backgrounds at future conferences.

Regarding ongoing initiatives, WiMIR-specific sponsorship levels and benefits are now included in the ISMIR 2018 Call for Sponsors. In addition, the WiMIR mentoring program is entering its third round, and mentor/mentee signups are open through November 30. We also welcome feedback from the community at any time on other ways to support women in the field. Email ismir2018-sponsorship@ircam.fr and wimir-mentoring@ismir.net if you are interested in participating as a sponsor of WiMIR at ISMIR 2018, or have ideas for other initiatives!

The ISMIR 2017 WiMIR initiatives would not have been possible without the support of our sponsors, as well as the help and cooperation of the entire ISMIR 2017 Conference Committee, who came together to handle the many organizational and logistical tasks related to the travel grants and conference programming. Thank you also to the WiMIR travel award recipients for participating in the conference, and to those who provided feedback to the sponsors.

Thank You ISMIR 2017 WiMIR Sponsors!

PLATINUM smule-e1497583384943              PLATINUM Spotify_Logo_RGB_Green_WEBSITE

PLATINUM Amazon Music_RGB_Gradient WEB

PLATINUM Gracenote_A_Nielsen_Company_Logo_BLUE (1)   SILVER izotope-logo-black   PLATINUM Microsoft-logo_cmyk_c-gray   GOLD Steinberg_LOGO

Blair Kaneshiro (Sponsorships Co-Chair for the ISMIR 2017 conference) is a Research Scientist in the department of Otolaryngology Head & Neck Surgery at Stanford University School of Medicine. Her current research focuses primarily on objective assessment of auditory function and music cognition using electrophysiological responses. She earned her BA in Music, MA in Music, Science, and Technology, MS in Electrical Engineering, and PhD in Computer-Based Music Theory and Acoustics, all from Stanford. She is active in the Women in Music Information Retrieval (WiMIR) community as co-organizer, with Emilia Gómez and Anja Volk, of the WiMIR mentoring program; as well as with the First-Gen/Low-Income (FLI) community and mentoring program at Stanford. She is an incoming board member of the International Society for Music Information Retrieval.

Round 2 of WiMIR travel awards to attend ISMIR 2017 in Suzhou, China

Round 2 of travel awards to attend in Suzhou, China, Oct 23-27 is now open.

We have made a slight adjustment to the timeline for late-breaking demo (LBD) submissions associated with Round 2 of the WiMIR travel awards for the ISMIR2017 conference. Current information is below.
Application form: http://bit.ly/2i5nCpc
Deadline to apply: August 31, 2017
Acceptance notifications: September 8, 2017
Deadline to submit completed LBD draft (for LBD recipients): October 8, 2017
Deadline to complete minor LBD revisions and submit final version (for LBD recipients): October 22, 2017
 
Eligibility requirements:
– Female author (first or supporting) on accepted full paper; and/or female first author on accepted late-breaking demo (LBD) submission.
– WiMIR applicants do not need to be students.
Questions? Email ismir2017-grants@ismir.net

WiMIR Grants to attend ISMIR 2016

Women in MIR (WiMIR) Grants are being offered for the first time thanks to the generous support of industry partners (Smule, Shazam) to female first or supporting authors of accepted full papers, as well as female first authors of accepted late-breaking demo (LBD) submissions to be presented at ISMIR 2016.

Applicants do NOT need to be students to apply for the WiMIR Award.

If you are a female MIR researcher, are planning to attend ISMIR, and you need some support, please apply before May 20th.

Application instructions are found at the ISMIR 2016 web page.

Thanks to our sponsors!

sz_lockup_masterbrand_2000                           smule_logo_web_sym